Monday Morning Art #6 - Arthur Lismer

We Canadians are big fans of our landscape and wildlife painters. Sometimes they drift off into the kitsch, the precious, or the overly commercial, but regardless, we've had a long history of spawning or embracing artists who interpret the wilds of the world around us.

There are no better examples of the inspiration of nature in painting than the 'Group of Seven' - an inaccurately named group of artists numbering perhaps 10 or 12, when you look at those with whom they met, discussed and created art.

One of my favourites from that gang is Arthur Lismer.


 This magical island landscape is Georgian Bay (1946), and is representative of his style.  The enchanted trees, the vibrant skies, the power of the water.  It evokes too the work of Emily Carr who is generally seen as part of the same movement.

His works west of the prairies and in our far north are also noteworthy,  as in this Rocky Mountains piece. 



Lismer was born in Britain, and studied in Europe, particularly Antwerp where he was influenced by Post-Impressionist and Barbizon school artists and techniques, says Wikipedia.  Certainly the freedom of form and interpretive approach echoes the works of Cezanne and Gauguin perhaps, two icons of that earlier era.

The magical feelings embodied in Lismer's work gains him lots of fans.  He has many works in Ottawa's National Gallery, and as well, the McMichael Collection north of Toronto, which  is a must-visit spot for Group of Seven admirers.
Lismer's body was in fact interred in a small cemetery at the grounds of the McMichael gallery when he passed away in 1969.

I quite like this next piece - the big rocks at what is now Bon Echo Provincial Park.  I've been known to spend many summer/spring/fall nights camping there over the years, and the dramatic rocks and their interplay with the big sky over Mazinaw lake would have enchanted Lismer too.



Also among my favourite themes in his works are his snowy scenes. There are some excellent ones viewable at the National Gallery. Well-displayed and lighted for maximum impact, it's a thrill to see one of those pieces in a gallery far ahead of you, and work your way towards it.

Finally, here is his Pine Trees. Not sure what year this would be, but guessing 1920-ish. The sun breaks through over the choppy waters of what I would guess is probably Lake Huron.