#MyOldSlides: Italian Campaign

Again the work of my #MyOldSlides project continues, and here are a few highlights from the Italian part of the job.


These are some pics from around various south-central areas of Italy, from a trip in the mid-nineties.  First in Rome, where we (and everyone else who visits) explored the Colosseum and environs.  I was intrigued to see the feral cats running about.  I remember thinking that cats living among humans have been a common thing for tens-of-thousands of years, and there is no reason why these cats we were seeing could not be direct descendants of pets in the courts of the Caesars during the height of the Roman Empire.

Indeed, as this calico princess sits among the ruins of her empire, it's not hard to imagine.

Near the Piazza Navona, in the middle of Roma, we explored the side streets, to finally sit for a beer.  It was more than 15 yrs ago (can hardly believe that) - and I can remember enjoying a Leffe beer and snapping this pic of a resplendent floral situation on this little balcony above an entrance.   With a bit of virtual exploration, I located the same spot again today (well, StreetView pics from mid -2012)  You can see that the palm trees have done well, though the floral diversity is reduced.
From StreetView (Jun08 data)





I can back-project the photo angle, and from another pic on the roll see we were sitting for our beer at the "Antico Caffè della Pace" which I see online has been present on Via della Pace since 1800.  It was redecorated in 1900, so I guess we're good.


Along the coast near Amalfi and Ravello, we stopped for lunch.  This is one of the pics from the parking lot looking across the landscape into the Mediterranean. What a spectacular area, and the light seemed very magical. Imagine if all parking lots had such views.



We spent some time as well in Umbria, north of Rome - and the weather (which was beautiful for that whole trip I recall) was great for expansive vistas across the green rolling hills.  This I believe was on approach to Assisi.   Shortly after our visit the region was rocked by a powerful earthquake (Sept 1997


Off the coast from Napoli, we visited the small Island of Ischia. The notable fortified hilltop fort is a pleasure to see from afar and close up. We wandered it's nooks and crannies, and enjoyed an overnight stay on the little island.  Not too far from Capri - but it felt perhaps a bit less heavily touristed (but that's a relative term in this attractive area).


Finally here is a shot from the exciting inner cone of an active volcanic area in the burbs of Naples.  Driving around ol' Napoli you feel like you're driving from volcanic caldera to caldera.  This area, the "Sulfatara" was especially so. Driving into the visitor's area, you see steam rising even from vents along the roadside before you're even there.  The ground is noticibly warm to the touch, and the smell of sulphur is everywhere,  with the yellow deposit even collecting on some surfaces.

It seems a bit crazy that we can walk willy-nilly on this surface, but it was a highlight of the visit.

More impromptu travelog memories to come as I power through a few thousand slides. This is only about 400 in so far in the #MyOldSlides digitizing project.  Comments and questions at @ottaross on Twitter.

#MyOldSlides: South and Central Portugal

Some seashore time in Faro and Olhao gave way to the central Portuguese town of Evora eventually, and so here are a few more pics in the theme of #MyOldSlides, as I slowly digitize them when I find an hour here or there.

While towns like Albufiera seemed to be popular with the British tourists (some of whom were seen determined to lay and sun themselves on the beach in spite of what we Canadians considered chilly weather) the smaller towns seemed very lightly touristed (this is in the early 90's).

The food and environment were both great and the February lighting seemed conducive to good pictures.

In the seaside town of Faro, the water sparkling in the sun was at any rate very attractive.









Somewhere along the way we met a parrot.










The intricately cobbled sidewalks were getting some attention.  It was interesting to watch the sidewalk 'craftsman' in progress.










Laundry outside a house was a wonderfully textured and coloured vista.

 








In Evora, there are unexpectedly-well preserved Roman remnants, and a 16th century straight-as-an-arrow aqueduct that comes shooting into town, and thence many buildings and shops are built into its arches.  The town contains main well preserved periods of history from the past few thousand years, and has thus been declared a UNESCO World Heritage site.





… and a temple to Diana. When we were there, a town road went right around the temple, with cars speeding past nearly brushing the sides of the structure.

A quick check on Google StreetView now shows that it has been nicely cobbled, and looks like a pedestrian area, with a small driveable area off on one side. A vast improvement. 

The #MyOldSlides Project

In a recent clean up I realized it was about time to find a viable method of digitizing my old slides.

There are a few thousand of them, and so it will take a while. Just think, if it takes one minute to stick each one of them into a scanner and get a good scan, adjust colour, framing and save it away with a meaningful name (pretty fast, really) that’s more than 50hrs of work.

I’m not that interested/dedicated to pull that off for the next several months

After much thinking, I decided to acquire some equipment and set up a “project and photograph” scheme that is coming to fruition now, and seems to work.   It's mostly made possible with some free software called "Sofortbild" and a used Nikon D60 I picked up on ebay.  I probably could have saved $50-100 and got an older D40, but I was happier with some of the features that the D60 had to get me quickly to a decent resolution, JPEG image on my disk.

It took much setup effort, to get the white-balance selection and exposure right, then work out how I would frame and capture both landscape and portrait images without constant re-jigging. But I've got a reasonable process now and can do several images per minute when I'm on a roll.  Shooting in a ‘tethered’ setup makes it easy to sit back and work efficiently.  Without seeing the image on a large screen you'd really have no idea if you got something directly 'keepable,' so that's a key piece to the puzzle.

So as part of this #MyOldSlides project, I’m sharing a few pics from each batch to Twitter with that hashtag, and will endeavour to put some up here as well.  To start off, these are some shots from the early 90’s.

These first few are from the Algarve area of Portugal.  It's the village of Olhao, which is a picturesque place outside the more plasticky tourist-laden towns of the area.


The dog picture is one of popular dissent, initially we both claimed photo credit on this great shot, but I'm willing to credit it to K who has taken many great pics too, so I'm happy to capitulate and if nothing more I was at least standing in the same spot as the photographer when it was taken :)

Photo by @skatem - I'm sure of it, and will swear to such in a court of law.

Too Many Words™ on Baking Bread

So you want to make your own bread?  Hi, I'm Troy McClure.  (Gratuitous Simpson's TV reference) I want to share a few thoughts and a lot of words with you on making bread, another in my "Too Many Words About…" series.  Read on, if you dare.

It's a good idea to make your own bread. You know exactly what is in it.  I think it's kind of therapeutic too, working dough, waiting for it to rise, and getting something hot and fresh out of the oven.   Plus your bread will go mouldy after a 4 or 5 days probably. Why is that good?  Because unlike the store stuff which stays mould-free for weeks due to lots of preservatives, yours will be healthy and without wacky chemicals.

Here's a recipe for a basic white bread. Once you're comfortable with that, you can start playing with the flour - swapping out part of it for whole-grain or brown flour.  If you used ALL brown flour, it can be quite dense.  It's do-able but you should read up on it a bit before trying that, so you don't end up with a dense brick.

So - here we go. White bread.

Executive Summary
We're just mixing flour, liquid, yeast (and optionally some salt, sugar and fat) together until it forms a silky yet firm consistency. We let it rise covered until it doubles, punch it down, then form it into loaf pans. It rises once like that, then once again shaped as loaves, then you bake it for half an hour and you're done.

Cheating
You can skip some stuff. You can go directly into the loaf pans and bake it after it rises just once, but it can be less uniform.  You can skip the salt, sugar and fat, but the taste will be poorer when you're still learning.  So you should follow this fairly closely for your first few tries.

Prepare
Clean a chunk of counter-top well. You'll need the space for kneading the bread. Make sure it's nice and dry.

Ensure you have about 8cups of flour handy.  You also need a couple of packages of yeast, some sugar, salt, fat of some kind, and water.

Get two loaf pans, and either grease them inside, or just smear a tsp of veg/olive oil around inside.

The Cooking
Starter: this is waking up the dried yeast. You give it water and something to eat - a bit of sugar.

Dissolve a TBSP of sugar into a cup of warm water in a cereal-sized bowl.  Then sprinkle on a package of yeast (I buy bulk yeast, and use 3 tsps).  Set it aside while you quickly do the other steps.   It's going to foam, so watch it doesn't go over the edges.

Dough:
In a big bowl, measure:
   6-cups of white flour

In a big measuring cup, or microwaveable bowl:
   2cups of water (or half-water, half-milk)
   3TBSP of oil (or butter, or shortening - any fat)
   2 tsps of salt
   3TBSP of sugar   (or you can use honey, molasses, brown sugar)

  Stir together and microwave on high for about a minute and a half.  Gets it quite hot, not boiling.  No microwave? You can use hot water from your kettle instead. We're not trying to cook it, just warm up a) to kill yeasts which might compete with our yeast, and b) create a warm dough in which your yeast will be happy.

Pour the liquid into the flour and stir around until it's absorbed - just a couple of stirs, only about 5 seconds. 

Now grab the yeast/water mix which should be foamy (if it's not, your yeast is dead - but that's very rare unless you're using 10yr old yeast).  Stir it up and mix that into your dough.

You have now achieved dough. Congrats.

Mix that all up - it quickly becomes a nasty sticky ball, probably.  You should probably skip the rest of this paragraph.  I fear I'll raise uncertainty if you read this next part… but here goes… If it has used up all the liquid and there is still tons of flour still not wet, you might need to add a bit of water, but just by a few tablespoons  But this is a tough judgement that comes from experience, and being able to recognize when it's too dry or not is hard. If there's no dry flour left, it's too wet. If there's over half the dry flour left, it's too dry.  Sigh. You might have really 'hard' flour which soaked the water up a lot.  It's probably okay, and you should just proceed.  Sorry it's a bit tough to describe the optimal look at this point.  Forget I said anything.

Turn it out onto a floured surface. (ie sprinkle some flour down first - about a quarter cup).  Now knead!

The Therapeutic Part - Kneading

Knead the dough by using the base of your palm and folding it over repeatedly onto itself.  It should start sticky but become smooth quickly.  Rub your palms together if they get too gummed up.  Work the dry flour bits onto it, and keep flour under the ball too.  Once it's all used up, it's probably still tacky and you should be able to work in another half-cup or so of flour.  Just keep on kneading, and adding a sprinkle of flour.

If it's too dry, and really solid and hard to knead at the start, just cry and run away (or just work in some extra water,  a tablespoon at a time and you can rescue it).   It should be malleable like, say, a full water balloon, not sticky and not hard like cold plasticine. Does that help?

Is it really smooth and sort of bounces back when you poke it?  Great.  Put a bit of oil on your hands, and rub all over it. 

First Rising
After kneading, ready to rise
Now put the dough into a big bowl in which it can double, and cover with first a sheet of plastic wrap, then a damp towel and leave it for 45minutes.    Hey, I found a picture of this step. See the ball of dough siting in a bowl.

You can say 'proofing' instead of 'rising' and you'll sound like a seasoned baker.

Give the plastic some slack to expand when the rising happens. See the picture where I lift the towel to show the risen dough. I think this is a different dough ball, 'cuz it's more than you'd get out of that first pic.


After the Rising (not the same dough)





(Cheat step, you can go straight to loaf pans, just cut it into two loaves and stick it into pans and let it rise until double and then put into the oven. But you probably shouldn't).  

Into Pans
Assuming you didn't use the cheat step - just punch that risen dough down, then dump it out onto a slightly floured surface, and form it into two 'torpedo' shapes.  I could write a page on forming the loaf, but use your imagination for now.   Plop each one in an oiled loaf pan, cover with loose plastic and the damp towel and set aside to rise for another 30min.

Also - start your oven up now. Set it for 425ºF.

Oh, you can also slash the top of the dough with a very sharp knife (or box-cutter) if you wish. It can help the top expand without creating weird bubble shapes. But don't worry about it if you don't want to.

Baking
30min later?  You can gently pop those pans in the oven, top shelf, and immediately turn the heat back to 325ºF.    Set your timer so you don't forget!  Your home is about to smell awesome.

Cooling after baking - Misc loaf sizes
Let them get nice and brown.  If you thump the bottom it should sound hollow, not dull, if that means anything to you.   It will be about 25-35min depending on your oven.

Turn out the loaves, ideally onto a cooling rack, or just onto a board to cool.  Don't try to eat right away - wait about 20min for a hot slice, or a couple of hours for a cool slice.


Make extra and freeze 'em in double bags.  I make about 4 loaves at a time and freeze them.

Enjoy!







Too Many Words™ on Advertising: Slash-and-Burn in the Content-Media Forest

In our day we all look at a lot of random stuff online given a few minutes to kill, or when we briefly get distracted from a more important task.   It's a rich forest of content in the still-young wilderness of diverse media delivered over Web.  Articles, videos, photos, short text posts, lolling-cats – there are plenty of enjoyable, interesting or important pieces of "content" throughout the landscape.  

Something catches your eye, you click and look at it for a minute. "Hmm, that was interesting" *click*.  Or perhaps it was not interesting - seeing it quickly you make the judgement in the blink of an eye and go back to what you were doing.  Often something else catches your eye and you explore that path for a moment or two.  Or six or seven hours.  

A key point here is that much of our on-line leisure activity is stumbling-onto things.  A tiny bit of curiosity is enough to warrant a click, because the investment is low.  Effective online advertising depends on that factor.  Advertisers need to hit the right combination of placement and enticement.  To reach you, something both needs to be placed on a page you will elect to visit, and it needs to twig your interest to make you interact.  Maybe you will click through and surrender the opportunity to influence you a little bit. 

Enter annoying advertisements.  They come in many forms.  Mostly they gain the distinction of annoying because they tread over the line of willing participation. Distracting animations of jittery images and crawling geometric patterns, perhaps.  Or the videos that play without your request or interaction; sometimes even with sound.

Our earliest experience of this, as the web emerged, was music that a site host thought would illustrate the excitement they had in mind for the site, or that some poor creative team thought would 'create a mood' complementary to their product.  Probably the worst audio-offender is a speaking voice addressing you as you arrive.  Any advertisement that uses intrusion into your attention without your explicit permission when you visit a site will most likely evoke anger or annoyance in the visitor.  And the only way visitors can vent that is to rapidly depart from the web-page.

Don't get me started on sites that try to disable your ability to depart.  Forget how they do it for a moment, and wonder what kind of advertiser thinks holding you hostage will increase your propensity to buy their product. (I think I'm started).

Initially web browsers developers had to scramble to disable features that allowed that kind of click-disabling.  Similarly, the never-ending pop-up loops were a brief scourge.  The most common hostage-taking approach now seems to be to forward your visit through to several identical copies of the page you have visited.  Then when you try to use your browser's back-button, you appear to remain on the page.

Click and hold the back button, and you see that you've been railroaded forward through five or ten identical pages to make it awkward for you to back away.  (This is a good reason to open new links of questionable side-bar interest in a new tab, where you can quickly close the entire browser tab if annoyance gets to high.)

Web-content is dealing with an eroding of the landscape much the same as TV broadcasters have been during a large shift in media consumption habits.  These are challenging times for traditional media, and those who are not sufficiently clued-in to the end-user experience are often going about dealing with it in a poor way.

Broadcasters obviously need revenue to keep operating, and they dealt initially with stagnant growth in viewership by incrementally driving up minutes-per-hour of ads.  Watching a popular show or recently-released movie means it will be drawn out to pack in many ads, and maximize revenue for the time-slot.

As the broadcaster does this, they cross a threshold where motivated viewers take action, acquiring PVR or DVR equipment (video recorders) to allow them to watch later, or watch in 'chase-play' mode and skip over ads.  Traditionalists or those with more limited options simply mute or leave the channel, or even the room, during the massively long ad breaks.   Some forget what they were doing and don't return to the show, rendering to the advertisers a net loss to viewers,  and further diminishing the value of the advertising slot.   The broadcaster's reaction to then-shrinking advertising revenue?  More ads. It's a feedback loop that destroys the medium.  Watching TV has become more and more frustrating, and viewers are leaving in droves to online content.

Similar dynamics begin to threaten in the on-line world.  As content providers or aggregators deal with the need to both make money and deliver compelling content, there is an equation that they need to satisfy too.  The interest level in the content must be greater than the annoyance factor of the advertising.  

Where things fall apart is when content is delivered to which visitors have been attracted by the thinnest of threads, purely based on a very-mild momentary interest.  Someone tweets about link they saw. Someone posts a link on Facebook that makes you curious.  One knows that with an investment of only three or four seconds they can click and decide then to "consume" that content or bail out.  If the content is preceded by an ad, we will run the value equation, and within that 3-second engagement, we can be be quickly disengaged and back to the path we were exploring moments earlier.   There is a wealth of content on the Internet, and no shortage of distractions. 

YouTube makes calculations about our value-equation.  Often advertisements are offered with the opportunity to bail out in 4 seconds and go to our desired content.  That changes our equation. We may grit our teeth and bear the burden until the escape button appears.  A proportion will not, and no doubt that is tuned carefully.

Some online video content – often on news sites – will feature inescapable advertisements.  The statistics gathered by the host site must show a very large departure rate for those.  Their statistics cannot gather the people who have run their value-equation and decide to stay, but deal with the annoyance by muting and flipping to a different browser tab for a minute or more.  It's the TV experience of muting or changing channels all over again.

Many of us who do that will of course forget we were trying to watch the clip, and never see it, or the ads that line that page, or the ad that followed the clip.  The site may elect to put in more ads, the value of the ads diminishes, because advertisers are not getting impressions.  We might remember the website after a few instances of this, and not click-through to visit again in the future. 

It's a never-ending battle, where only those who understand the balance between advertising and content will succeed.  The question is whether the economics work out in the long run, and whether those who do not understand the end-user perspective and their value-equations will ruin the medium due to their slash-and-burn approach to advertising.

Naan in Your Kitchen

If I had lots of patience and planned ahead a bit, I'd probably have made my naan similar to my regular bread, but with the addition of yoghurt and egg.   I'd let it rise once, punch it down and form it into beaver-tail shaped pieces then let it rise again, then cook as outlined below.

However I was making tandoori chicken and only thought about 45min before supper that some naan would be nice, so I threw this together.    I've seen, and made, flatbreads leavened with baking power, soda (like irish soda bread) or of course yeast.  So thinking about my options to get puffy bread fast,  I thought I'd try to find a middle-ground to speed things along a bit.

I started as typical, to rehydrate the yeast, but with less water:
  • third of a cup of warm water
  • a tsp of sugar dissolved into it,
  • two teaspoons ( you could use half a packet ) of yeast sprinkled into it.
Meanwhile, I combined
  • a cup of flour
  • a teaspoon of baking powder
  • a healthy pinch of salt
and mixed them together.

Then I combined
  • a couple of tablespoons of yoghurt 
  • with a beaten egg 
  • and a couple of TBSP of olive oil 
We should really use melted, clarified butter (ie 'ghee') but really, bread just needs fat, and we'll get some butter flavour into it at the end.

Mix that wet stuff into the flour,  and oh, hey, the yeast is foamy now, so dump that in too.

How's the consistency?  A little wet? We'll work in some more flour.  A bit dry?  Work in a bit of milk, by the tablespoon, until it's a soft, slightly sticky/shaggy ball.

Now sprinkle a handful of flour on your counter and turn out the dough onto it, and start kneading. Just fold it onto itself over and over and press with the heel of your hand.  It should get nice and silky and smoothly blended in just a few minutes.   Work in a bit more flour if necessary, but a bit tacky still is okay. It should be springy to your touch.

Divide into two balls and flatten into paddle shaped pieces.  Consider the size of your non-stick frying pan for guidance. Thinner is better in terms of the thickness. Their thickness should be closer to pita-bread (though not that thin) than they are to buns.

Set aside for 10min, with plastic and a damp towel covering them.   We're cheating a bit here, but it's okay. This is where we would normally let a bread rise once for 30-40min, then punch down and form then. We can cheat a bit because of the baking powder, but if you have the time, certainly do it.

In about 8minutes, get out a big, non-stick pan and heat it up super-hot.  Flick a drop of water off your fingers onto it, it should sputter and disappear right away.

Now grab one of your formed naan's and throw it onto the dry, hot pan.  Leave it for a minute or two with the lid on, then check for nice darkened surface.  It will only be darkened where the irregular surface touches the pan. That's good, that's how naan always looks from being in a tandoori oven.

Flip it over and give it another minute or two, uncovered now.  Keeping the heat in initially encourages the initial puff-up.  When it's browned on the second side, pull it out, wrap in a clean towel to keep warm, and do the same with the other one.


When they're both ready,  quickly get a few dabs of butter and put them between the two pieces of naan, wrap them up, flip 'em over, to ensure both pieces get butter on them, and serve.

YUM it was so good.

A buttery surface, soft, tear-able (as opposed to terrible) thin bread. Seemed a lot like authentic tandoori-oven naan - and believe me, I've eaten my fair share.

The picture shows it on the plate with the rest of supper. If I knew it would work out so well, I'd probably have photographed it a bit more for bragging rights.

On the plate is tandoori chicken, potatoes and spinach, saffron rice and the naan. Yay - isn't that authentic looking?

If you give it a try, let me know.  They pivotal part is probably ensuring the dough is a soft pliable consistency - not sticky like porridge, but not hard and dry like a volley-ball, and of course forming it thin enough. But if you want to make naan, you've probably eaten it a lot yourself, and will know what the result should look like.

Fourty Two.

Someone in an online discussion (Padraig) wrote the words that follow, and which I thought were well chosen enough to copy here.  (I'd credit him with more specificity had he provided any).
When I die, I will be gone. period.

People will remember me for a time, then they will die. Before long, no one will remember me. Any mark I ever left on the world will have turned to dust and blown away.

Then, someday, our sun will swell into a red giant, consuming the inner planets, including earth, laying waste to any trace of life in the solar system. And then, unless we've found a way off the planet, any memory of the human race will have been annihilated.

Even if we have mastered interstellar travel and spread to other planets, entropy will have its way with the universe and nothing will remain but pervasive infrared radiation. Unless the universe itself has a memory, there will be no one and nothing to remember that life ever breathed anywhere.

And you know what? I still prefer that to believing a lie.

A well worded phrasing that resonates well with my perspective. His post was prefaced with one other sentence, saying, "My thoughts on death are incredibly bleak."  

Here I disagree, in that I didn't find his view bleak at all. On the contrary, it captured well our existence as collections of molecules and electro-chemistry in the natural ebb and flow of matter and energy.

The universe is a beautiful manifestation of probability and pattern, complexity and depth.  That within all that stuff, we can craft meaningful lives rather than just exist and procreate. That we can love and be loved, and create beauty from randomness gives us a reason to savour every moment between the before-we-were and the after-we-are-no-more.

Martini Test Match

I've recently connected up with Tumblr to see how they do things over there.  I've got a bit of a footprint in the 'Blogger' world already, but I was curious to see if they do something a little different.  My conclusion is that Tumblr is basically like Blogger with more style, and leaning more towards images, although it looks like some of their text capability is fairly stylish as well.

I posted a series of eleven pics to Twitter the other day and thought I'd put those up as a test.  Blogger doesn't seem to offer me any means to do a tiled array of the small thumbnails that I pulled back down from TwitPic.  I could put together a simple HTML table to pull it off, but I thought I'd see what Tumblr could do with it.

The result is good.  Here's the final photo, plus the nice array that I just screen-shot captured from the Tumblr presentation:


The Tumblr interface stops you at 10 pictures, but it gives you several different layout options for tiled arrays.

So kudos to Tumbr.  Not sure how much I'll add there, but if the experience continues to be painless and stylish, it could attract some additional attention from yours truly.

Pictures: Sorting, Sharing & Randomness

I've been lax at keeping up with accumulating photos.  So I'm taking some time to sort pictures at the tail-end of this 2012 Christmas/2013 New Year holiday period.  This could take a while, and no doubt my urge to share pics will be triggered by particularly interesting shots.  These may evoke no particular excitement among my Twitter followers, so I thought maybe I can refresh this otherwise stale blog area with some pics.  Be prepared for a total lack of theme or reason in their order and presentation.

This is a modern shoe-box experience, I suppose.  Once we would clean up a room, find a shoe-box full of photos and with the intent to sort them we would spend a few hours reliving the memories.  Now it's a folder on my desktop with a bunch of pics that didn't get sorted as I removed them from various picture-taking devices. Putting them into my 'digital photos' directory with meaningful categories allows me to revisit them as I do the sorting.  

Prepare yourself - these will be quite random. :) Click pics for bigger versions.

The Photos
A. Bread!  I like to bake bread as you may be aware if you follow me on Twitter.  Batch to batch, I'm usually making either small loaves that I can get through in a couple of days lunches, or medium sized loaves that will get us through a stew dinner, and a couple of breakfasts.  This shot at the right has my mouth watering.

Peanut butter on fresh bread - Yum.

There are a whole lot of bread pictures in these folders I'm sorting, so I'll spare the Internet the wasted bits and bytes. Oh, except here's a shot of some rye loaves. too.


B. Bugs!  Sharing this video via YouTube, as taken from my back yard.  During the spring I recorded the process of sweeping out my water-feature stream-bed, and it is very much filled with bugs.  Seeing them all squirm around as I remove the organic junk is quite compelling.

Due to their habit of blending in, it might be tough to see in the embedded player above.  You can click on this link to see it full-sized on the YouTube site - a creepy-crawly video record of my menagerie saved for posterity.

C. In Montreal in the summer, a trip to a popular breakfast spot on the Plateau. Four of us with lots to eat.  Mine, are the eggs Benedict at the bottom.

That visit also featured a fun, though swelteringly hot, picnic in a park around Jean Talon area, and some fun 'Gypsy Jazz' at a club near Saint Denis.   Le jazz manouche!
D. Ginger beer trials.  Making my own ginger beer for a while, I decided to compare it against some of the commercial ones.  A good learning experience. There were bits in the others that I could attempt to imitate, yet elements of mine that were better.  A good exercise.




E. Hiking with a picnic along the way is fun, and one of our favourite spots not too far from the city is captured in this shot.  I use this one not due to its great composition or scenery but in way of contrast.  The left shot is from June 2011.  As luck would have it I've neglected tidying up my photos long enough that a walk to the same area the following summer caught the contrast. The drought of spring 2012 decimated the scrubby oaks that populate the top of this part of the Eardley escarpment. Sad to see, as in the second picture they show pretty much a total loss of foliage.  Whether they died as a whole tree we won't know until the spring of 2013 I guess.

2012 View - Oaks Suffered from Drought
2011 View - Happy Trees
(Blogger has a bit of trouble managing picture placement, so I hope the pics are rendered okay in your browser. I seem to have got them reasonably well placed in Firefox for now)


F. Dinner for 55cents? Go to 219 Sparks Street with this coupon for the Plaza Hotel.  Of course, the hotel may have been gone for 70years or so.  This is from some random newspaper bits in our attic.  Fun stuff to find.  Click the pic for a bigger one you can read.

G. Pizza Anyone?  Making a lot of thin-crust, fresh local ingredients-based pizza lately.  Once the dough is made and ready it's quick and tasty.  The other handy bit of info is that if you make a scratch dough, you can form it up into individual pizza sized balls, then wrap tightly in plastic and freeze them.   When you anticipate a pizza event, pull em out to warm up and form into pies.   Soaking the tightly-wrapped ball in cold water is a good way to thaw them as well.

H. Waffling can be a good thing.  In early summer when the berries are in season, making some waffles is a good plan.  So we did. The results are very photogenic with the great contrast between red and light-golden waffle.

I. A cup of tea. I've been known to spend a bit of time at one Bridgehead coffee shop or another (it's a local Ottawa, Canada coffee/tea place). This pic seems to capture my experience there pretty well. Tea, paraphernalia, and Internet access. Good way to spend an hour if you can get a good seat and cross your fingers that your corner doesn't turn into a daycare spontaneously.  Avoiding prime mom times is the best advice.

J. A glass of wine or two makes life a tiny bit nicer.  I'll take a pic of a wine bottle here and there, mostly for record keeping purposes.  This is a good case in point.  The 2010 Meiomi Pinot Noir blew me away all through the summer of 2012.  For me it's just what you want in a Pinot - the fruit is crisp and rich, with raspberry/cherry notes, the tannins are balanced and soft without missing the bus.  So, I was glad to have recorded the bottle. However, this picture worked out so well with the background and lighting and the super-cold glass of water that I had to share it here too.
I haven't found the 2011 yet but I've heard good rumours, though I wonder if they'll have pushed it a bit further away from classic Pinot territory if they've heard all the exclamation about big fruit and soft tannins.   Okay, I'm getting distracted just thinking about it.