Monday Morning Art #2 - Mondrian

Before Mondrian developed his trade-marked geometric shapes and colours, he created some striking landscapes and recognizable depictions of the Dutch landscape.

This piece is "Small Farm on Nistelrode" and was completed in 1904.

I like how his colours and contours hint of his later geometric creations.

These two pieces will be readily recognizable to all, surely.  Even if you don't know the name "Piet Mondrian" you'll recognize the pattern.  Whether you saw it on the packaging of some personal-care product or food item or wall-paper, this imagery has crept into all corners of our world since he first started experimenting with colour and line more than 100 years ago.

Interestingly, the designs are so timeless, that the patterns are still exploited to give products or clothing a 'modern' look even today.

It's also interesting to compare the three pieces shown here and see how Mondrian's observations and interpretation of the world around him evolved to find pleasing combinations without having to retain the 'representational' element.

He echoed this in naming approach as well, giving the pieces simple names like "Composition with Red, Blue and Yellow" or Tableau.  Later though the names reference locations of inspiration like, "Broadway Boogie Woogie," "Trafalgar Square," and "Place de la Concorde."
These geographical names point out how his roots in painting the landscape continue to inspire, even when he's representing the places with only geometry and colour.

Well there are lots of places for you to read about Mondrian - and my yammering is not going to bring anything new to the discussion.  Take a look at the Mondrian body of work on WikiArt if you are so inspired.




Monday Morning Art #1 - Monet

On a weekly basis, check my twitter feed for a Monday Morning Art posting.  I endeavour to bring a bit of art, be it interesting, beautiful, unexpected, or maybe even all three, into our day.

Monday seems like the perfect timing for this.  And while Twitter is particularly quiet in those first few hours of a Monday morning, I'm thinking what better time to enjoy a noteworthy piece of art than when things are quiet.

I was inspired to share a few tidbits from the history of art, after coming across this Monet work, called "the Chapel Notre-Dame de Grace at Honfleur."

We probably all know Monet, and many of us have seen much of his work, whether hanging in various galleries around the world, or in books we've browsed, or in poster-form on your friends bachelor pad.  That's why I was surprised and elated to come across this piece, which I had never seen before.

Further to this picture of Monet's brilliant painting, I found the same location on Google's StreetView, and had to do a side-by side comparison.  How fun is that? 
Forgive the slightly-oversized-for-the template issue, but it seems worth it for the comparison view. The left is Monet's painting, 150 years before the photo on the right.


A little artistic license, but it's still quite true to reality. Nice to see that the space is appears to be still relatively intact as a pastoral green space, even if there is a paved road running through it now.

Hope to share a few more pics from artists well known and perhaps a few obscure ones too.  There's a lot to chose from, so I'll enjoy browsing through the rich wealth of art history to chose a few gems.

A great resource to browse, if this has put you in such a mood, is the WikiArt site at this link.  Happy browsing.


Too Many Words™ - A Tale of Two Sandwiches

To walk from Katz's deli in New York City to Schwartz's in Montreal would involve trekking for 599 kilometres along US Highway Nine. And it just might be worth it.

In fact, someone may be able to walk the full distance while you are reading this diatribe on the subject, as I will go on a bit in this next piece in my "Too Many Words About…" series. 

Comparing the two is a smoked-meat tale of epic drama. The best of lunches, the worst of lunches.  A saga which left me shocked and amazed. And it all happened just a few days ago.  (Cue the back-in-time montage music, and blurry vision…)

In New York City for the weekend, we, with a couple of decades of exposure to Montreal's smoked meat royalty,  vowed we would finally make our way over to Katz's Deli.

Seems like the perfect time to explore how many words can I can possibly write about a smoked meat sandwich.

Living in Ottawa, we find ourselves in Montreal on a regular basis.  There, Schwartz's deli is a bit of
Schwartz's Montreal - via Google StreetView
a temple of smoked meat. Figuratively of course. If it were literally a temple of smoked meat it would be kind of floppy, and too humid inside.

Around since 1928 on St. Laurent Blvd (AKA 'The Main') it has served up smoked meat to regulars, lunch-counter style, and built up a close following of devotees world-wide, one sandwich at a time.

Yes, I'll be first to admit that it has evolved into a bit of a tourist trap. Invariably there is a long lineup to get in, and these things tend to feed off themselves.  The line-up experience spreads the tale of the line-ups, like rivers worthy of fording for the treasures on the other side, and the legend draws more visitors.

Some locals will look with disdain and claim that it used to be something more.  But once you are crammed around a table with a group of strangers (every seat counts here) and get your $6 sandwich, you are happy that you waited a bit on the cold winter avenue, or under the sweltering August sun to get your sandwich and a Cott's 'black cherry' cola - the drink of choice.

There's a definite culture about the place.  You get a sense of it from all the tweets, newscasts, YouTube videos and short-film productions that rant about the place.  But with a few visits you get to feel it for yourself.  A camaraderie with other patrons both regulars and first timers.

It's when you're sitting there, with people of diverse origins that you occasionally strike up a conversation and hear the stories of first visits, or witness someone experiencing it then and there. Invariably it's a bit understated. It comes after the first bite. Someone chewing, nodding. "It's good." is typically the first indication.  A few minutes later: "This is good."  The rest of the mystique builds days later, back home when you start to think of your next visit.

People are respectful of one another, I've found over the years.  I haven't had anyone become an over-bearing instant pal because you're sharing a table.   Sometimes there's no more than a smile as you share the mustard.  Other times you have a bit of a conversation. Usually it's after the expectations have been met, and the chewing is loosening tongues.

Sometimes your tablemates aren't the couple from Calgary who described the flooding last year, nor the large family from Nunavut that ate a years-worth of smoked meat in one sitting, nor the couple from Ottawa, or the local guy beside me when I went solo on a business trip to get a quick-access stool at the bar.  He had a steak(!)   Sometimes it's someone from the States who raves about the experience and adds "I guess this is kind of like Katz's deli in New York."

I always wondered about that.  Well, now I can say, "No, not really."

Because of those conversations, Katz's had been on our agenda for a while.  Last weekend, we were in the Big Apple, looking for the big sandwich.

We had started the afternoon with a walk along the East River, and a quick duck under the Brooklyn Bridge.  You don't really have to duck, it's quite high, but there were some waterfowl there too.

We then decided to catch a subway over to the High Line, NYC's spectacular park on stilts.  It was a bit of a chore, because some subway security incident had disrupted the service, rendering a couple of lines closed, and diverting huge throngs of people onto the other lines.

We had a bit of an elevated walk in the sunny spring weather with crowds much bigger than we'd hoped. We had a seat on a stylish sculpted bench, and feeling peckish, we remembered our vow to locate and conquer Katz's for a late lunch, and thus achieve what we had not managed to do on previoius trips to NYC.

We found out quickly that we had been very near to Katz's that morning, and heading back would put us deep into the suspended-subway mess again.  I reluctantly proposed that we again skip it for the current trip.

K had the right attitude, though, and suggested moments later that no, we should make it happen this time and stop putting it off.  Thus we walked a few blocks to a south-bound thoroughfare, and hailed a cab, which barreled headlong through the streets, horn honking, to bring us along the SoHo/NoHo boundary and our destination.
Katz's New York - via Google StreetView

Here, like Schwartz's, there are line-ups at 3pm of smoked-meat seekers. As veterans of the
cured-meat queue, we were unfazed and took our place, and a few selfies with the signage. Since 1898, no 1888, proclaims the hand-altered sign.  Clearly, during the 30 years between their emergence and the rise of the Montreal deli experience, significant advances were made.

Upon gaining entry, you realize that there are both similarities and differences.  Schwartz's and Katz's both preserve some history in their decor.  A nice patina of age and kitsch.  But rather than the friendly arbiters of seating in Montreal,  here there are barking NTSA-like bouncer-types handing out cryptographic blue tickets and directing you towards a shoulder-to-chin crowd, wedged up against counters where workers slog away serving up sandwiches.  Their repeated orders barked out constantly. "Do NOT lose your ticket" they say, and the signs too threaten.  There are hints of grave financial penalties for anyone who tries to leave the building without a ticket. Is there really a smoked-meat force that imprisons ticketless dissidents?  Keep your ticket, you need it to get out, even if unused.  What is it used for, one wonders.  What nefarious scheme could I perpetrate were I ticketless and managed to run the border?  I never did find out.

"How does this work" we ask a young lady at a podium amidst the throng.  We are told you can order and acquire your food in one of the lines at the counter, and take a seat at any of the specially designated tables.  "Do NOT use the tables along the edge, they are for table service," she warned.
"What if we want table service?"
"Stand over there and we'll call you."
And so we did.

We waited again, but were still hopeful.  Finally we and another local-ish couple were given seats at a table for six with (gasp!) a space between us.

We had barely picked up the menu, trying to find the options.  Ah, cherry coke here too - a consistent drink pairing logic then.  A good omen, but where is the sandwich?   Wait a minute.  Is this $18 item the sandwich?  Really?  We this asked of a waiter, who popped by before we had barely sat down.  "Is that really for just a sandwich?"

"Yup."

We looked at each other.  Do we really want to do this? We weren't sure.  We felt a little abused, like we had just been plucked from a sinking ship, and barely out of the water, we needed to hand over our wallets and wrist watches for the lift in to shore.

The waiter was quickly gone to let us read the menu, and we debated staying.  I think I would have left at that point, though  K pointed out that the investment was already substantial in terms of time, cab-trajectory-life-risk,  cab fare, line-up time and corral time.  In for a penny, in for a pound. So we decided to plunge ahead.

Then we waited. And waited. And waited.

FINALLY after probably twenty minutes, a waiter returned to take orders from both couples.  The other dating duo kept their spirits up.  We were a bit more impatient to get our insanely-priced hostage meal, but the customer abuse continues.

It's one thing to demand extortionate prices for a sandwich - I can almost understand that. As long as people line up, you may as well keep charging more to maximize your revenue, I suppose. If that's all that's important to you.  But the ridiculously slow service and empty table space seemed to contradict that. Really, wouldn't you rather maybe charge a bit less and pump the patrons through the place with speedy service, and quality food, raking in the profits?  Schwartz's could show them a thing or two both in the kitchen and in the manager's office. 

Probably twenty minutes later the waiter was back, and we put in our order.  Cherry coke, corned beef (they have both corned beef and pastrami).  Can we get a half-sour pickle?  Oh yeah, we give you a whole plate of pickles anyway.  Well, there is that, anyway.

Guess what? Then we waited, and waited again.  I looked at the time to see it was an hour after our arrival before we saw the food.  The copious staff seemed to be active, but not busy.  There was much standing around behind the counters.  Our piled high smoked meat arrived though, and the proof, as they say, was thus about to present itself via the pudding.

I'll jump to the chase then.  The Katz's product, after all of that, was substantially inferior.  The meat isn't seasoned as well. Moreover,  the cut is very coarse and chunky and drier than the Schwartz's.  There's no flexible choice of lean, regular or fatty, though K noted there was an option for lean if you PAID MORE.

How better to illustrate the experience than with tweets - the ultimate source of documentary evidence of real life.  I quickly found tweetable illustrations from @foodpornx and @snagfilms - both of whom took excellent pics of the respective products.  So I offer Twitter evidence to let you compare:
And here is the Schwartz's result, illustrating a finer cut, and the bread...
The bread on the Katz's sandwich was insubstantial white/pseudo-rye, whereas the Schwartz's was more dense, tasty rye that meets your rye expectations.  Even the cherry cola was a disappointment.  Cott's black cherry had set my expectations. The Katz's option tasted watery, and unflavourful.

Well, let's not draw it out.  We sacrificed just under $50, but at least we can share the experience with you.  The local-ish couple wrapped up as we did and the young man said to his date, "those sandwiches are $18."  "What? $18 each? Holy cow!" she exclaimed.

Maybe one of two outcomes will result from this, my manuscript to future lunchers.  Maybe Katz's will dispatch an emissary to Montreal to see how it's done properly, and then lose the authoritarian ticketing and self-serve hell they've created, and work to improve the product.  Or maybe you, dear reader, will choose not to spend your hard earned dollars in visiting them.   Or, maybe if nothing else, you will decide to give it a spin anyway, and at least know what to expect.

But, hey - it turns out I can write a LOT of words about a couple of smoked meat sandwiches.

Ultimately, other than for blog-fodder, I wish I had known a bit more before venturing through those doors.  I may well have turned left towards US Highway Nine, and started the walk towards that other city, where 'tis a far, far better smoked-meat sandwich I have eaten, than I ever ate before.

#MyOldSlides: Italian Campaign

Again the work of my #MyOldSlides project continues, and here are a few highlights from the Italian part of the job.


These are some pics from around various south-central areas of Italy, from a trip in the mid-nineties.  First in Rome, where we (and everyone else who visits) explored the Colosseum and environs.  I was intrigued to see the feral cats running about.  I remember thinking that cats living among humans have been a common thing for tens-of-thousands of years, and there is no reason why these cats we were seeing could not be direct descendants of pets in the courts of the Caesars during the height of the Roman Empire.

Indeed, as this calico princess sits among the ruins of her empire, it's not hard to imagine.

Near the Piazza Navona, in the middle of Roma, we explored the side streets, to finally sit for a beer.  It was more than 15 yrs ago (can hardly believe that) - and I can remember enjoying a Leffe beer and snapping this pic of a resplendent floral situation on this little balcony above an entrance.   With a bit of virtual exploration, I located the same spot again today (well, StreetView pics from mid -2012)  You can see that the palm trees have done well, though the floral diversity is reduced.
From StreetView (Jun08 data)





I can back-project the photo angle, and from another pic on the roll see we were sitting for our beer at the "Antico Caffè della Pace" which I see online has been present on Via della Pace since 1800.  It was redecorated in 1900, so I guess we're good.


Along the coast near Amalfi and Ravello, we stopped for lunch.  This is one of the pics from the parking lot looking across the landscape into the Mediterranean. What a spectacular area, and the light seemed very magical. Imagine if all parking lots had such views.



We spent some time as well in Umbria, north of Rome - and the weather (which was beautiful for that whole trip I recall) was great for expansive vistas across the green rolling hills.  This I believe was on approach to Assisi.   Shortly after our visit the region was rocked by a powerful earthquake (Sept 1997


Off the coast from Napoli, we visited the small Island of Ischia. The notable fortified hilltop fort is a pleasure to see from afar and close up. We wandered it's nooks and crannies, and enjoyed an overnight stay on the little island.  Not too far from Capri - but it felt perhaps a bit less heavily touristed (but that's a relative term in this attractive area).


Finally here is a shot from the exciting inner cone of an active volcanic area in the burbs of Naples.  Driving around ol' Napoli you feel like you're driving from volcanic caldera to caldera.  This area, the "Sulfatara" was especially so. Driving into the visitor's area, you see steam rising even from vents along the roadside before you're even there.  The ground is noticibly warm to the touch, and the smell of sulphur is everywhere,  with the yellow deposit even collecting on some surfaces.

It seems a bit crazy that we can walk willy-nilly on this surface, but it was a highlight of the visit.

More impromptu travelog memories to come as I power through a few thousand slides. This is only about 400 in so far in the #MyOldSlides digitizing project.  Comments and questions at @ottaross on Twitter.

#MyOldSlides: South and Central Portugal

Some seashore time in Faro and Olhao gave way to the central Portuguese town of Evora eventually, and so here are a few more pics in the theme of #MyOldSlides, as I slowly digitize them when I find an hour here or there.

While towns like Albufiera seemed to be popular with the British tourists (some of whom were seen determined to lay and sun themselves on the beach in spite of what we Canadians considered chilly weather) the smaller towns seemed very lightly touristed (this is in the early 90's).

The food and environment were both great and the February lighting seemed conducive to good pictures.

In the seaside town of Faro, the water sparkling in the sun was at any rate very attractive.









Somewhere along the way we met a parrot.










The intricately cobbled sidewalks were getting some attention.  It was interesting to watch the sidewalk 'craftsman' in progress.










Laundry outside a house was a wonderfully textured and coloured vista.

 








In Evora, there are unexpectedly-well preserved Roman remnants, and a 16th century straight-as-an-arrow aqueduct that comes shooting into town, and thence many buildings and shops are built into its arches.  The town contains main well preserved periods of history from the past few thousand years, and has thus been declared a UNESCO World Heritage site.





… and a temple to Diana. When we were there, a town road went right around the temple, with cars speeding past nearly brushing the sides of the structure.

A quick check on Google StreetView now shows that it has been nicely cobbled, and looks like a pedestrian area, with a small driveable area off on one side. A vast improvement. 

The #MyOldSlides Project

In a recent clean up I realized it was about time to find a viable method of digitizing my old slides.

There are a few thousand of them, and so it will take a while. Just think, if it takes one minute to stick each one of them into a scanner and get a good scan, adjust colour, framing and save it away with a meaningful name (pretty fast, really) that’s more than 50hrs of work.

I’m not that interested/dedicated to pull that off for the next several months

After much thinking, I decided to acquire some equipment and set up a “project and photograph” scheme that is coming to fruition now, and seems to work.   It's mostly made possible with some free software called "Sofortbild" and a used Nikon D60 I picked up on ebay.  I probably could have saved $50-100 and got an older D40, but I was happier with some of the features that the D60 had to get me quickly to a decent resolution, JPEG image on my disk.

It took much setup effort, to get the white-balance selection and exposure right, then work out how I would frame and capture both landscape and portrait images without constant re-jigging. But I've got a reasonable process now and can do several images per minute when I'm on a roll.  Shooting in a ‘tethered’ setup makes it easy to sit back and work efficiently.  Without seeing the image on a large screen you'd really have no idea if you got something directly 'keepable,' so that's a key piece to the puzzle.

So as part of this #MyOldSlides project, I’m sharing a few pics from each batch to Twitter with that hashtag, and will endeavour to put some up here as well.  To start off, these are some shots from the early 90’s.

These first few are from the Algarve area of Portugal.  It's the village of Olhao, which is a picturesque place outside the more plasticky tourist-laden towns of the area.


The dog picture is one of popular dissent, initially we both claimed photo credit on this great shot, but I'm willing to credit it to K who has taken many great pics too, so I'm happy to capitulate and if nothing more I was at least standing in the same spot as the photographer when it was taken :)

Photo by @skatem - I'm sure of it, and will swear to such in a court of law.

Too Many Words™ on Baking Bread

So you want to make your own bread?  Hi, I'm Troy McClure.  (Gratuitous Simpson's TV reference) I want to share a few thoughts and a lot of words with you on making bread, another in my "Too Many Words About…" series.  Read on, if you dare.

It's a good idea to make your own bread. You know exactly what is in it.  I think it's kind of therapeutic too, working dough, waiting for it to rise, and getting something hot and fresh out of the oven.   Plus your bread will go mouldy after a 4 or 5 days probably. Why is that good?  Because unlike the store stuff which stays mould-free for weeks due to lots of preservatives, yours will be healthy and without wacky chemicals.

Here's a recipe for a basic white bread. Once you're comfortable with that, you can start playing with the flour - swapping out part of it for whole-grain or brown flour.  If you used ALL brown flour, it can be quite dense.  It's do-able but you should read up on it a bit before trying that, so you don't end up with a dense brick.

So - here we go. White bread.

Executive Summary
We're just mixing flour, liquid, yeast (and optionally some salt, sugar and fat) together until it forms a silky yet firm consistency. We let it rise covered until it doubles, punch it down, then form it into loaf pans. It rises once like that, then once again shaped as loaves, then you bake it for half an hour and you're done.

Cheating
You can skip some stuff. You can go directly into the loaf pans and bake it after it rises just once, but it can be less uniform.  You can skip the salt, sugar and fat, but the taste will be poorer when you're still learning.  So you should follow this fairly closely for your first few tries.

Prepare
Clean a chunk of counter-top well. You'll need the space for kneading the bread. Make sure it's nice and dry.

Ensure you have about 8cups of flour handy.  You also need a couple of packages of yeast, some sugar, salt, fat of some kind, and water.

Get two loaf pans, and either grease them inside, or just smear a tsp of veg/olive oil around inside.

The Cooking
Starter: this is waking up the dried yeast. You give it water and something to eat - a bit of sugar.

Dissolve a TBSP of sugar into a cup of warm water in a cereal-sized bowl.  Then sprinkle on a package of yeast (I buy bulk yeast, and use 3 tsps).  Set it aside while you quickly do the other steps.   It's going to foam, so watch it doesn't go over the edges.

Dough:
In a big bowl, measure:
   6-cups of white flour

In a big measuring cup, or microwaveable bowl:
   2cups of water (or half-water, half-milk)
   3TBSP of oil (or butter, or shortening - any fat)
   2 tsps of salt
   3TBSP of sugar   (or you can use honey, molasses, brown sugar)

  Stir together and microwave on high for about a minute and a half.  Gets it quite hot, not boiling.  No microwave? You can use hot water from your kettle instead. We're not trying to cook it, just warm up a) to kill yeasts which might compete with our yeast, and b) create a warm dough in which your yeast will be happy.

Pour the liquid into the flour and stir around until it's absorbed - just a couple of stirs, only about 5 seconds. 

Now grab the yeast/water mix which should be foamy (if it's not, your yeast is dead - but that's very rare unless you're using 10yr old yeast).  Stir it up and mix that into your dough.

You have now achieved dough. Congrats.

Mix that all up - it quickly becomes a nasty sticky ball, probably.  You should probably skip the rest of this paragraph.  I fear I'll raise uncertainty if you read this next part… but here goes… If it has used up all the liquid and there is still tons of flour still not wet, you might need to add a bit of water, but just by a few tablespoons  But this is a tough judgement that comes from experience, and being able to recognize when it's too dry or not is hard. If there's no dry flour left, it's too wet. If there's over half the dry flour left, it's too dry.  Sigh. You might have really 'hard' flour which soaked the water up a lot.  It's probably okay, and you should just proceed.  Sorry it's a bit tough to describe the optimal look at this point.  Forget I said anything.

Turn it out onto a floured surface. (ie sprinkle some flour down first - about a quarter cup).  Now knead!

The Therapeutic Part - Kneading

Knead the dough by using the base of your palm and folding it over repeatedly onto itself.  It should start sticky but become smooth quickly.  Rub your palms together if they get too gummed up.  Work the dry flour bits onto it, and keep flour under the ball too.  Once it's all used up, it's probably still tacky and you should be able to work in another half-cup or so of flour.  Just keep on kneading, and adding a sprinkle of flour.

If it's too dry, and really solid and hard to knead at the start, just cry and run away (or just work in some extra water,  a tablespoon at a time and you can rescue it).   It should be malleable like, say, a full water balloon, not sticky and not hard like cold plasticine. Does that help?

Is it really smooth and sort of bounces back when you poke it?  Great.  Put a bit of oil on your hands, and rub all over it. 

First Rising
After kneading, ready to rise
Now put the dough into a big bowl in which it can double, and cover with first a sheet of plastic wrap, then a damp towel and leave it for 45minutes.    Hey, I found a picture of this step. See the ball of dough siting in a bowl.

You can say 'proofing' instead of 'rising' and you'll sound like a seasoned baker.

Give the plastic some slack to expand when the rising happens. See the picture where I lift the towel to show the risen dough. I think this is a different dough ball, 'cuz it's more than you'd get out of that first pic.


After the Rising (not the same dough)





(Cheat step, you can go straight to loaf pans, just cut it into two loaves and stick it into pans and let it rise until double and then put into the oven. But you probably shouldn't).  

Into Pans
Assuming you didn't use the cheat step - just punch that risen dough down, then dump it out onto a slightly floured surface, and form it into two 'torpedo' shapes.  I could write a page on forming the loaf, but use your imagination for now.   Plop each one in an oiled loaf pan, cover with loose plastic and the damp towel and set aside to rise for another 30min.

Also - start your oven up now. Set it for 425ºF.

Oh, you can also slash the top of the dough with a very sharp knife (or box-cutter) if you wish. It can help the top expand without creating weird bubble shapes. But don't worry about it if you don't want to.

Baking
30min later?  You can gently pop those pans in the oven, top shelf, and immediately turn the heat back to 325ºF.    Set your timer so you don't forget!  Your home is about to smell awesome.

Cooling after baking - Misc loaf sizes
Let them get nice and brown.  If you thump the bottom it should sound hollow, not dull, if that means anything to you.   It will be about 25-35min depending on your oven.

Turn out the loaves, ideally onto a cooling rack, or just onto a board to cool.  Don't try to eat right away - wait about 20min for a hot slice, or a couple of hours for a cool slice.


Make extra and freeze 'em in double bags.  I make about 4 loaves at a time and freeze them.

Enjoy!